I’ve never met Lisa Morton but have heard of her and known about her for a while. I reckon she’s probably pretty cool just like most writers in the horror genre are. I’d probably like her.
But she’s pretty off base with some of her
comments in “The H Word: The Horror of Small Town America,” a
non-fiction post last year at Nightmare
Magazine that just came to my attention via Facebook. She claims that small towns are dying and that small-town
horror needs to be shoved aside because “(t)he world is changing, and horror
needs to keep changing with it.” I agree that the world is changing, but the
small town is far from dead.
The one I grew up in is still there, as are all
the many that surround it in rural southern Ohio. It’s still creepy in those
places after dark and even in the shadows or sunlight during the day. My own
hometown has haunted houses and tours of haunted places, and most folks there
still know each other’s names. They still buy from local farmers and all get their
haircuts at the same shops. And these towns, my hometown, and those around it,
are far from the only small towns left in America.
Yes, sadly, some of them have died out. Some. But,
then again, there are vast empty areas in some major cities, a sad fact in
Detroit, for example.
To point out that a lot of horror fiction is set
in small towns is one thing; to make a statement like, “Maybe it’s time to
drive a stake through the heart of the small town trope in horror, and scatter
those ashes far and wide” is ridiculous, though. I agree with Morton that it’s great
that urban horror/fantasy is gaining wide popularity, but that doesn’t mean we
have to kill small-town horror within the genre, maybe because “the characters
in these books are almost solely WASPs.” That may be true, but even that is changing—the small town I grew
up in is more ethnically diverse than it was when I grew up there.
I’m going to keep writing small-town horror
stories. And I know there are readers for it. I hope colleagues much more widely-published
than I do, too. I’d name names but don’t want to start bickering between folks.
You know who they are. Because they’re popular and still widely read, even by
folks in that “vanishing” small-town America.
And even if small towns had disappeared or are
disappearing, why drive a stake through the heart of such popular fiction
within the genre? You might have some angry redneck readers. But, of course,
they must not exist, either.